in this time of war in peace by us against the
Nazi regime, and conversely, they were indicative
of the war that the Nazis had already inaugurated
during the so-called peace.”
<< HEARTFIELD CHRONOLOGY - ALL YEARS1928 1929 1930 1931 1933 1934 1935 1936 1937 1938 1939
“My montages were intended as weapons
in this time of war in peace by us against the
Nazi regime, and conversely, they were indicative
of the war that the Nazis had already inaugurated
during the so-called peace.”
In Paris World War II German anti-Nazi artists seek refuge as continue their struggle against Hitler and The Third Reich. John Heartfield is a fugitive. He is living under a Gestapo death sentence. After a narrow escape in Prague, the antifascist activist artist whose “art as a weapon” against The Third Reich has become famous all over Europe remains in Paris from March to August, 1935. He meets with Gustav Regler, Tristan Tzara, Oskar Kokoschka, and Walter Benjamin. Photos of his gaunt face clearly reflect the toll it has taken on him to be constantly on the run from Hitler’s Gestapo.
Heartfield’s exhibition 150 photomontages politiques et satiriques d’actualité (150 Current Political and Satirical Photomontages) takes place from April to May in the Maison de la Culture, Paris World War II.
While a fugitive from The Third Reich, John Heartfield finds time to design book jackets for Willi Münzenberg’s Editions du Carrefour, including Das braune Netz (The Brown Net).
(L-R) Gustav Regler, John Heartfield, and Tristan Tzara in Paris, 1935
(L-R) John Heartfield and his second wife, Barbara